Every 6oh5oh release is intentionally produced in small batches. I design, print, and assemble everything myself, which means every run has a natural limit — not because of hype, but because of the hands-on work that goes into each piece.

This approach keeps quality high and waste low. Filament, test prints, and failed parts get recycled back into the workflow whenever possible, and each product is only made in the quantities I can personally print and finish to the standard I’m happy with.

Whether it’s a Mini VX™ colorway, a fingerboard from the Garage Series, or a limited seasonal drop, each run is finite, personal, and made by one person — not a factory.
It’s gear you can feel good about owning, built with care instead of mass production.

Everything at 6oh5oh starts with a real session — a problem to solve or an idea that would make filming or fingerboarding more fun.

Most designs begin as rough sketches and notes, then move into 3D modeling where I dial in the shape, fit and function for cameras, phones or fingerboards. From there, I print and test multiple prototypes in-house, making small tweaks until the parts feel right in the hand and on a session.

Once a design is locked in, every piece is 3D printed, finished and assembled in my own workspace using durable materials.

For graphic pieces (decks, cases, stickers), the artwork is drawn by hand first, then translated into digital linework or even built directly into the 3D-printed surface so it doesn’t just sit on top — it’s part of the object.

The result is a small-batch run of gear that’s built to be used, not just displayed — camera rigs like the Mini VX™ action camera cage and its accessories, 3D-printed fingerboard decks, ramps and obstacles, plus limited edition drops and collabs.

Each product is made with the same approach: practical, tested, and made by one person who actually uses this stuff.